Tag Archives: worldcon

WorldCon Wisdom

Feeling small?

  • White characters are never described as white but everyone else is described as their colors, as if “white” were default.
  • White is not a monotone. There’s tan, pink cast, olive cast, freckled, etc. etc.
  • Make people think. Ask questions with your stories–but you don’t have to answer them. Perhaps you shouldn’t answer them.
  • We love the characters we grow to know. If the “bad boy” has the most backstory, he’s probably whom we are going to love.
  • Choose characters that you really like or really dislike. This makes for stronger writing.
  • E-books are great for readers who already know what they want. But print is still how you get the most new readers, the people casually browsing.
  • Gritty vs. Realism vs. Darkness. Things to think about.
  • A little extra realism can’t hurt your story.
  • Write what you think the world is like.
  • See people solve problems in a place that feels real.
  • Lastly, write what you want to write.
  • Stay firmly in your characters’ head for all worldbuilding. Characters don’t know that they’re missing XYZ that we have. Unravel what the reader thinks they know about your world, their automatic conceptions and misconceptions slowly, in glimpses.
  • Different authors develop different percentages of the worldbuilding iceberg.  Some just do “ice on a raft”, as GRRM says.
  • Do we overestimate our own importance as writers?
  • I am a planetary citizen. Part of my responsibility is to understand others. Writing is our way of trying to figure things out for ourselves, too, in how the world works, how people work.
  • Life is a mix of hope and sorrow. Other times and places have that mix, too.  There should be a balance. You have to have the dark along with the light, (and the light along with the dark).

From Robin Hobb:

  • If you are writing, you are a writer. (I’m glad I’m not the only one who thinks this.)
  • There is no wrong way to write.
  • It’s so easy to put off writing. There’s always an excuse not to write. You never actually will have any “extra free time” in which to write. You just make time. There is time if you can find it.
  • It’s not “write what you know”, it’s write who you are.
  • Break things down into manageable parts. Write one scene at a time.
  • How to find your endings: Where the next story begins is the ending of this one. In other words, where a story ends is where the next story begins.
  • Every paragraph you write has possibility. It’s like shutting doors in a corridor.
  • Have confidence in your characters to let them do what they actually would do. Make sure they are challenged. Don’t protect them from things happening to them.
  • Never throw away anything you’ve written. There will be something you can use in it. Always keep a paper copy and put it in a safe place.

WorldCon 2011 Overview

Well, we are back from WorldCon. Arrived at M William’s home at about 3 AM last night. I got to sleep in, she had to go to work. Sometimes life is not fair like that.  Still! We are both agreed that WorldCon was both amazing and very much worth every bit of hassle.  She in particular had some major break-throughs with getting the tools she needs to improve her craft.   My silt is still settling, but some very juicy tidbits are shaking free.

Overall, I was surprised to discover that WorldCon was a lot like the 2008 ATA Conference I attended in Orlando, just bigger.  Professionals, aspirants, teachers, students, apprentices, etc.   But the major difference between the two was how vulnerable the authors, editors, and artists felt at WorldCon.  This wasn’t just business, it was personal, and so there was this hesitancy, this personal  and personable flavor at WorldCon that was lacking among the confident, crisp business professionals of the ATA.   People dressed casually, they acted more casually…and yeah, you don’t find people dressed in steampunk attire at a translators’ conference, though I admit I was expecting to see more of that than I did.

Rumor also had it that WorldCon is such a big convention you would not be able to find all the people you would want to talk to, and if you want to talk to people you should go to WorldFantasy instead.  Maybe I just lucked out, but I saw everyone I knew would be there–on a daily basis.  If I had the energy, I could have talked to such names as Brandon Sanderson, Patrick Rothfuss, Robin Hobb, Patricia Briggs, Mary Robinette Kowal, Gail Carriger, Kristine Kathryn Rusch, Lou Anders, Harry Turtledove, Aliette de Bodard, Steve Jackson…and the list goes on.  If you want to meet people, come to WorldCon.  Once you start looking, you can find everyone.   Even as out of it as I was, I still managed to talk to a few.

I even got my first “snobby/mean professional author” encounter!  It took me by surprise since absolutely everyone else I saw or interacted with was down-to-earth, approachable and very nice.  But what surprised me even more was that I handled his rather condescending comments so well he personally sought me out the next day to have a much more friendly conversation. So I guess I earned his respect.  I am still a little baffled by it–but also pleased.

Otherwise, I think I will post the general trend of panels I went to. If you’re interested in a topic, just comment and I will go into more detail about it.

We went to a few signings and Pat Rothfuss’ reading.  We went to the opening and closing ceremonies and the Tor Party.  Panel topics included: zombies, paranormal as metaphor, game design (we went to several since M Williams is going into the field),  star charts, theater make-up, grittiness and realism in fantasy, non-European medieval fantasies, forthcoming books from Tor, fan-made action-figures, Iron chef style flash-fiction, gender/sexual/multicultural issues in sf&f books.  We saw a two-hour medieval weapon and armor demonstration and history and I got to to play with the best balanced, well-crafted short sword ever. (He also named it Hummingbird and I think that is awesome).  We went to Robin Hobb’s discussion on writing.   We attended the live recording of several Writing Excuses podcasts.  We lurked around the dealers’ rooms and made new friends there.  We dressed up all fancy and went to the Hugo Awards.  We got free books at the freebies table.

In short, we have a goal to go next year. There is so much going on that everyone who attends has a completely different experience than anyone else, but everyone seems to get what they need. So, enjoy! Next year is in Chicago.  Start saving your monies!


WorldCon 2011!

Well, WorldCon is now officially ended. I saw a lot of authors I recognized and friends and connections from various places.  I didn’t–or barely–spoke to anyone, but health made that fairly impossible. (So if you were expecting riveting conversation from me, I apologize. That is what writing is for these days.)  Still! My goals were to test the waters of a larger convention, get courage to plunge in for real when my health’s improved and I’m ready to submit something larger than a short story, see M Williams, have a fun time with her and show her the ropes to the publishing world, and attend a lot of fun, interesting, and informative panels.  And you know what? I accomplished all of those goals!  Where there’s a will, there’s a way.  I might have been a zombie, but zombies are welcome at WorldCon, and when not sitting, resting and listening to the pros, I was listening to an audiobook, chilling with M Williams, or sleeping.

Speaking of sleep, I should go do that now. More later.


Summer Reading: Hugo Awards

We interrupt our regularly scheduled programming for this announcement:

I have my plane ticket, and today M. Williams and I registered memberships to WorldCon! Which means I’m loading the full Hugo Awards packet onto my Kindle!  By the time this post goes up on air, everything will be loaded and organized and I’ll be good to read everything and vote by July 31.

If you have an e-reader and wish for some summer reading and to take part in momentous SF&F events, you can buy the packet and the right to vote for only $50.  Believe me, all of those regularly priced novels, novellas, novelettes, short stories, graphic novels, and related works total way more than $50.

Anyway, from now until the next two months, posts will be slowing way down as I concentrate on getting ready for WorldCon.

And now back to our scheduled posts!